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Director Wood's buddy Criswell appeared in the prologue as The Emperor of the Dead, the rambling leader of the 'twilight people.' He was accompanied by his undead consort, Vampira/Elvira clone Ghoulita (Fawn Silver), the Black Ghoul with a black beehive hairdo. They were forced to spend the night there, helping to serve Bob's writings as inspiration on the topics of necrophilia and ghost stories ("It's on a night like this when the best ideas come to mind").The Emperor served as the emcee and provided absurdist and odd commentary, such as: "Torture! They were tied to gravestone posts and watched as a bevy of topless and naked zombie-like, graveyard 'creatures of the night' (hired LA strippers) performed ten interminable stripteases (with uncoordinated shimmying) in the fog. It is done in a spirit of openness and frankness instead of in the very different atmosphere of a peep show or nightclub.This was an prime example of schlocky scriptwriter Ed Wood's notoriously bad, low-budget nudie horror films.The sexploitation film was advertised as being shown "In Gorgeous Astravision" and in "Shocking Sexicolor" and featuring NAKED Spirits and TOPLESS Dancers. ", and "A kitten was born to be whipped."The story really began when horror book writer Bob (William Bates) and his buxom red-haired girlfriend Shirley (Pat Barringer or Pat Barrington) suffered a car wreck in the fog - fortuitously, they crashed next to a cemetery."Juliet learned that her husband of 15 years, Giorgio (Mario Pisu), was committing adultery with a fashion model mistress.As a result, she suffered the terrorizing torment of voices and images from the spirit world and of her past.Almost immediately, they kidnapped her (they told her they were going to a "real Hollywood-style party") and held her prisoner in the basement where they made the defenseless woman their sex slave.
During her stay in Italy, she went on a holiday to Capri with Malcolm, and cautioned him: "We are not complicating our holiday with any disgusting sexcapades" (although they both had separate one-night flings with a male waiter). I know we can be so happy." But he dashed her dreams of reuniting: "We're not going back to anything, you know. Start the countdown" - before they stretched out and had sex in the back seat.
So you might as well start getting comfortable."Trapped, she was stripped of her dress to reveal her underwear, and then viciously slapped to comply.
Degraded and abused over a period of time, Jane was imprisoned in the basement, where she was raped, almost starved and beaten.
Later, she confided in Malcolm: "I could do without sex. This was just for old times' sake." He rejected her profession of love and request for "one more chance." As he drove her back to the airport, she half-heartedly threatened to commit suicide by throwing herself from the moving car: "If I can't be with you, I don't want to be alive," but resumed her princess-duties upon arrival. Lee Frost's disturbing, low-budget, definitive grindhouse "roughie" film (by producer David F. He slapped and assaulted her when she talked back to him and asserted that he should "lay off the rough stuff." Although she valiantly fought him off, he ripped off her clothes, telling her she needed "old-fashioned discipline" (a vicious spanking of her bare bottom that left welts after he pulled down her black panties).
Don't really like it that much."The Prince vainly proposed marriage to her, but after her return to London, she broke her sleazy association with Miles and decided to accept the Prince's marriage proposal. Friedman, now split from Herschell Gordon Lewis) was deliberately made to counter the "nudie-cutie" films of the time - with some nudity, but mostly added violence and griminess. And then surprisingly, she surrendered: "Don't stop," and kissed him as the camera panned upwards before they had sex.